English Study Topic By The Company He Keeps

A mirror reflects a mans face, but what he is really like is shown by the kind of friends he chooses. This quote simply tells one that you stimulate who you atomic number 18 around. This means that people who have bad company pull up s shoot fors be watch over bad company themselves. But interaction with other people is not all bad. Instead of this, looking for company that will improve who a person becomes is the best idea. The simple but true fact of manner is that you become like those with whom you associate either for the good, or the bad.Sometimes hanging divulge less with certain types of people will improve life with and through decisions made (or not made). Setting the bar high for friends is an important human face of maturity. An important attribute found in successful people is their resentment with negative thinking and negative acting people. While it is better to be solo than in bad company, good company is even better. Anita Desai has commodious proved herse lf one of the most accomplished and admired chroniclers of middle-class India.Her 1999 novel, Fasting, Feasting, is the tommyrot of plain and lumpish genus genus Uma and the cherished, late-born Arun, daughter and son of strict and ceremonious parents. So united are her parents in Umas mind that she conflates their names. MamaPapa themselves rarely mouth of a time when they were not one. The few anecdotes they related separately acquired abundant significance because of their rarity, their singularity. Throughout, Desai perfectly matches form and content details are few, the heighten narrow, emotions and needs given no place.Uma, as daughter and female, expects nothing Arun, as son and male, is lost under the weight of expectation. Now in her 40s, Uma is at home. Attempts at arranged marriages having ended in humiliation and disaster, and she is at MamaPapas beck and call, with only her collection of bracelets and old Christmas cards for consolation. Uma flounces off, her grey hairsbreadth frazzled, her myopic eyes glaring behind her spectacles, muttering under her breath. The parents, momently agitated upon their swing by the sudden invasion of ideassweets, parcel, letter, sweetssettle put up to their slow, rhythmic swinging.They look out upon the shimmering heat of the afternoon as if the tray with tea, with sweets, with fritters, will materialise and come swimming out of itto their rescue. With increasing impatience, they swing and swing. Arun, in college in Massachusetts, is none too happily spending the summer with the Pattons in the suburbs their refrigerator and freezer is packed with meat that no one eats, and Mrs. Patton is dreadful to be a vegetarian, like Arun. But what he most wants is to be ignored, invisible. Her words make Arun wince.Will she never learn to leave well alone? She does not seem to have his mothers well-developed instincts for survival through evasion. After a bit of pushing around slices of tomatoes and leaves of lettuc ein his time in the States he has developed a hearty abhorrence for the raw foods everyone here thinks the natural diet of a vegetarianhe dares to glance at Mr. Patton. Desais counterpointing of India and the States is a little forced, but her focus on the daily round, whether in the Ganges or in New England, finely delineates the unspoken dramas in both cultures.And her characters, dependent of their own small rebellions, give Fasting, Feasting its nappy bite. Ruth Petrie From Publishers Weekly Short-listed for the 1999 Booker Prize, Desais stunning new novel (after jaunt to Ithaca) looks gently but without sentimentality at an Indian family that, despite horse opera influence, is bound by Eastern traditions. As Desais title implies, the novel is divide into two parts. At the heart of Part One, set in India, is Uma, the eldest of three children, the overprotected daughter who finds herself starved for a life.Plain, myopic and perhaps dim, Uma gives up school and marriage, f inding herself in her 40s looking after her demanding if well-intentioned parents. Umas younger, prettier sister marries quickly to escape the same fate, but seems dissatisfied. Although the family is quite capable of putting on a progressive, Westernized front, its clear that privileges are still close for boys. When her brother, Arun, is born, Uma is expected to abandon her education at the convent school to take care of him.It is Arun, the ostensibly privileged son, smothered by his fathers expectations, who is the focus of the twinkling part of the novel. The summer after his freshman year at the University of Massachusetts, Arun stay with the Pattons, an only-too-recognizable American family. While Desai paints a nuanced and delicate portrait of Umas family, here the writer broadens her brush strokes, starkly contrasting the Pattons surfeit of food and material amenities with the domestic routine of the Indian household.Indeed, Desai is so adept at characterization America ns through Indian eyes that the Pattons remain as inscrutable to the endorser as they are to Arun. But Arun himself, as he picks his way through a minefield of puzzling American customs, becomes a more sympathetic character, and his terminal act in the novel suggests both how far he has come and how much he has lost. Although Desai takes a risk in shifting from the lovely Uma to Arun, she has much to say in this graceful, supple novel about the inability of the families in either culture to nurture their children. (Jan. ) Copyright 1999 beating-reed instrument Business Information, Inc.